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The representation of black British life has been sorely underrepresented in our national cinema, but there have been hints of a resurgence in recent years.
Amma Asante’s 18th-century-set drama Belle (2013) became an international box-office success, shining a light on the true story of Dido Elizabeth Belle, the mixed-race daughter of an African woman and a British naval captain; Destiny Ekaragha’s Peckham-set comedy Gone Too Far!
Away from the cinema, there’s been exciting talk of Steve Mc Queen developing a major BBC television series that will follow a group of black British friends and their families over a number of decades. The 1980s saw a surge in activity for black British production and representation, encouraged in part by the arrival of Channel 4 (which put diverse programming at the centre of its remit) in 1982.
Since then, due to a combination of factors (lack of training and funding, exodus of talent to the United States), there’s been a cycle of frustration in maintaining and developing the black British presence on film.
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